Amanda Lechner: Drawings

2009 Drawings

Staab Promenade Graphite, Gouache on Paper 22x15” 2009

Bilateral Negotiation Graphite,Gouache on Paper 22x30” 2009

VHS or Auto-color Graphite,Gouache on Cut Paper 8x8” 2009

Marker Graphite,Gouache on Cut Paper 8x5” 2009

Just Like Me, They Long to be Close to You Gouache on Paper 8x10” 2009

Paravolcanic Players and Personal Growth gouache,graphite on paper 22x30" 2009

Trails and Tributaries Graphite,Gouache on Paper 2009

The Ballad of Prevention Graphite,Gouache on Paper 9x12” 2009

Strong winds resulting in sediment Gouache on Paper 7x5” 2009

Reversed Polarity Gouache on Paper 7x5” 2009

Psychosomat Graphite,Gouache on Paper 2009

Particular Sentiment Graphite,Gouache on Paper 2009

Phelpenwolf Gouache on Paper 5x7” 2009

Modes of Production - Gains and Losses Graphite,Gouache on Paper 22x30” 2009

mesa Gouache on Paper 7x5” 2009

Impossibility of true disconnect Gouache on Paper 5x7” 2009

geodesic bi-stewardship Graphite,Gouache on Paper 2009

Feldspar Graphite,Gouache on Paper 2009

Erosion/Enmity Graphite,Gouache on Paper 8x8” 2009

AC Graphite,Gouache on Paper 2009

A New Hope Gouache on Paper 2009

2+2 Graphite,Gouache on Paper 22x30” 2009

Artist Statement

I am interested in depicting the moment when the corporeal and the spiritual/mental negotiate concession. Fusing memory, experience and imagination with visual story-lines stemming from pseudo-science, art history, science fiction, folklore, language and literature I compose plots and visual narrative paradoxes progressing from an initial idea or mark. Drawing seems an appropriate method to enact this sequence as it is a malleable way to convey information. It allows me to be historically inaccurate, to meld themes of the documented with the absurd and scatological. I experiment with how text and titles may change an image, how they can feed each other while not describing a fixed meaning. I am particularly drawn to words whose meaning may shift based on the context in which they are used. I often work with language related to geology, natural history and landscape that differ from the literal or linguistic meanings. Through amassment and installation my work invites the comparison and combination of different premises to create compound links based on groupings and the associations that they may incite. The context of each drawing’s plot-line may change based on the other work, words or objects it is grouped with, creating divergent narratives and hypotheses. These combinations look to contribute to and challenge the already rich and long-lived traditions of pictorial story telling. I am involved in creating a complex visual experience rooted in inventing and posing questions rather than eliciting answers.

EDUCATION

2005 MFA Rhode Island School of Design, Providence RI

Collegiate Teaching Certificate, Sheridan Center for Teaching and Learning at Brown University, Providence RI

2003 BFA Kansas City Art Institute, Kansas City MO

ORGANIZATIONS / VENUES

StudioFuse Blog and Studio Community - Founding Co-Director studiofuse.wordpress.com

Pierogi 2000 Gallery Flat Files, Brooklyn, NY

Viewing Program and Slide Registry, Drawing Center, New York, NY

Irving Sandler Artists File Online, Artists Space, New York, NY

EXHIBITIONS

2010 Sub Terrain Curated by Andrew Thompson, Work Gallery, Ann Arbor MI

The Business of Aura Curated by Kelsey Harrington, Broadway Gallery, New York, NY

Wassaic Summer Festival Show Wassaic Project, Wassaic, NY

2009 Will It Happen? Curated by Kelsey Harrington, Elga Wimmer Gallery New York, NY

Word Up Group Show with Ghost of Dream, Greg Hopkins, Colby Bird, Jeff Barnett- Winsby Curated by Lauren Was and Adam Eckstrom, Broadway Gallery, New York, NY

New American Paintings Exhibition in Print, North Eastern Edition 2009, Open Studio Press

Morsel Remains Group Exhibition Long Island City, NY

Related Process 579 Broadway New York, NY

2008 Dialect curated Adam Eckstrom, Broadway Gallery, New York, NY

The Sieve Go for a loop Gallery, San Francisco, CA

Everybody Only Meow Wolf Art Space, Santa Fe, NM

Science Fair Rock, Paper, Scissors Gallery, Oakland, California

2007 Turning Points Curated by Andrew Thompson, Gallery Project, Ann Arbor, MI

2006 Science Fair Forum Gallery Cranbrook Academy, Bloomfield Hills, MI

RISD Biennial NYC 2006, Curated by Robert Storr, Exit Art New York, NY

Chapter III – Bueno Byes & Frito Pies AD Collective Gallery Santa Fe, NM

2005 Life and Limb Curated by David Humphrey Feigen Contemporary, New York, NY

Providential RISD Painting MFA 2005, Supreme Trading, Brooklyn, NY

MFA Exhibition RISD Museum, Providence, RI

2004 Featherweight Claremont Graduate University, Claremont, CA

RISD Painters/ Brown Writers Sol Koffler Grad Gallery at RISD, Providence, RI

Pulp Curated by Steve Orlando Sol Koffler Grad Gallery at RISD, Providence, RI

Postcards From the Edge Brent Sikkema, New York, NY

2003 Grad Painting Show Sol Koffler Grad Gallery at RISD, Providence, RI

BFA Exhibition H&R Block Space, Kansas City, MO

The Body Lucy Pistilli, Rachel Frank, and Amanda Lechner, Destination Gallery, Kansas City, MO

2002 Drawing Mania Destination Gallery, Kansas City MO

Head or Gut: Prints of Persuasion KCAI Print Gallery Kansas City MO

Object Resonance, Curated by Lester Goldman KCAI Painting Gallery, Kansas City MO

Carnival/Carnival, Curated by Lester Goldman KCAI Painting Gallery, Kansas City MO

2000 Untitled, Pod Space, Santa Fe NM

Effusion, Group Show, Plan B Gallery, Santa Fe NM

1999 Monothon 13, SITE Santa Fe, Santa Fe NM

AWARDS

2005 RISD Graduate Award of Excellence

2003-2005 RISD Graduate Academic Honors

2004-2005 RISD Graduate Fellowship, Innaugural Curator of the Artur Loeb Design Science Collection

2003-2005 RISD Graduate Painting Fellowship

1999-2003 KCAI Deans List and Academic Honors

1999-2003 KCAI Merit Scholarship

1998-1999 Internship SITE Santa Fe, Santa Fe NM

Amanda Lechner

05 May 2010

Installation April 2010

11 November 2009

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